Korg KRONOS 88 LS Music Workstation

  • $1,455.00
    • Ex Tax:$1,455.00
    • Product Code: KRONOS 88 LS Music Workstation
    • Available: In Stock
    The Korg KRONOS 88 LS Music Workstation is brand new,authentic,original,sealed in box with all accessories including 1-year warranty.Features:88-Key lighter action keyboardVast array of incredible soundsTop quality effects and samplingMassive synthesizer engineBuilt-in audio interfaceThoroughly equi..

    The Korg KRONOS 88 LS Music Workstation is brand new,authentic,original,sealed in box with all accessories including 1-year warranty.


    Features:


    88-Key lighter action keyboard

    Vast array of incredible sounds

    Top quality effects and sampling

    Massive synthesizer engine

    Built-in audio interface

    Thoroughly equipped audio I/O

    Eight in. touch screen


    Specification:


    SystemKronos System ver. 3.1
    KeyboardLS semi-weighted, velocity-sensitive, no aftertouch
    Tone Generator
    Synthesis Types9
    HD-1 High-Definition synthesizer (PCM)
    AL-1 Analog Synthesizer (analog modeling)
    CX-3 Tonewheel Organ (tonewheel organ modeling)
    STR-1 Plucked String (physical modeling)
    MS-20EX Component Modeling technology (analog modeling)
    PolysixEX Component Modeling Technology (analog modeling)
    MOD-7 Waveshaping VPM Synthesizer (VPM synthesis)
    SGX-2 Premium Piano (acoustic piano)
    EP-1 MDS Electric Piano (electric piano)
    Maximum PolyphonyHD-1: 140 voices
    AL-1: 80 voices
    CX-3: 200 voices
    STR-1 40 voices
    MS-20EX: 40 voices
    PolysixEX: 180 voices
    MOD-7: 52 voices
    SGX-2: 100 voices
    EP-1: 104 voices
    PCM MemoryPreset: 314 MB (ROM: 1505 multisamples, 1388 drum samples)
    Build-in Expansion PCM LibrariesEXs1 ROM Expansion
    EXs2 Concert Grand Piano
    EXs3 Brass & Woodwinds
    EXs4 Vintage Keyboards
    EXs5 ROM Expansion 2
    EXs6 SGX-1 German D Piano
    EXs7 SGX-1 Japanese C Piano
    EXs8 Rock Ambience Drums
    EXs9 Jazz Ambience Drums
    EXs17 SGX-2 Berlin D Piano
    EXs18 KORG EXs Collections
    Program CapacityRAM: Approximately 2 GB
    Wave SequencesPreloaded: 187 wave sequences
    User Memory: 598 wave sequences
    HD-1 ProgramAdvanced Vector Synthesis:
    Control oscillator volumes and synthesis & effects parameters via the Vector joystick and the tempo-synchronized vector envelope
    Structure:
    Single: Only OSC1
    Double: OSC1 and OSC2
    Double mode lets you layer two completely separate synth voices, each with its own velocity-switched oscillator, dual filter, EGs, LFOs, etc
    Drums: One drum kit, Double Drums: Two drum kits
    Oscillator:
    Virtual Memory Technology (VMT) plays large samples directly from the internal SSD
    8 velocity zones per oscillator, with switching, crossfades and layering. Each zone can play mono or stereo multisamples or wave sequences
    Filters:
    Two multi-mode filters per voices (low-pass, high-pass, band-pass, and band- reject), Four-mode filter routings (single, serial, parallel, and 24 dB mode)
    Driver:
    Per voice non-linear driver and low boost circuit
    EQ:
    Three bands, with sweepable mid
    Modulation:
    Three envelope generators, two LFOs per voice, common LFO, four key-tracking generators, AMS (Alternate Modulation Source), two AMS mixers
    EXi Program CommonAdvanced Vector Synthesis:
    Control oscillator volumes and synthesis & effects parameters via the Vector joystick and the tempo-synchronized Vector envelope
    Modulation:
    Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 key-tracking generators
    EQ:
    Three bands, with sweepable mid
    AL-1 ProgramOscillators:
    Ultra-low-aliasing oscillators
    OSC1, OSC2, Sub-oscillator, and noise generator; ring modulation, FM and Sync
    Audio input:
    External audio can be processed through the ring modulator, filter, driver, amp, and EQ
    Filters:
    2 x multi-mode filter (low-pass, high-pass, band-pass, and band-reject) with four types of filter routings (single, serial, parallel, and 24 dB mode), MultiFilter mode (only Filter-A; modulatable mix of low pass, high pass, band pass, and dry input, for creating a wide variety of unique filter types and effects)
    Driver:
    Per-voice, non-linear driver and low boost circuit
    Modulation:
    Five envelope generators, four per-voice LFOs, two key track generators, two AMS mixers,
    Per-voice step sequencer.
    CX-3 ProgramTonewheel organ modeling:
    Phase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake
    EX mode:
    Four additional, user-specified drawbars, and expanded percussion
    Internal effects:
    Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ
    Drawbar control:
    Controlled via nine front-panel sliders (via Tone Adjust)
    Split:
    Upper, lower
    Modulation:
    Two AMS mixers
    STR-1 ProgramPhysically modeled string:
    Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups,and more. Most string parameters can be controlled in real time
    String excitation:
    Three independent excitation sources can be used simultaneously—Pluck, Noise, and PCM
    16 preset "pluck" types, with modulatable width and randomization
    Noise generator with saturation and dedicated lowpass filter
    PCM oscillator:
    KORG's ultra-low-aliasing technology, as introduced in the HD-1
    4 velocity zones per oscillator
    Uses any mono multisamples including ROM, EXs, user sample bank, or Sampling mode. Supports virtual memory
    PCM can either be used as an excitation signal, or layered with the output of the string.
    Excitation Filter:
    Dedicated 2-pole multimode filter for shaping the string excitation.
    Filter can be enabled/disabled separately for each excitation source.
    Low Pass, High Pass, Band Pass, and Band Reject modes.
    Audio Input and Feedback:
    Run real-time audio through the string, including feedback through effects.
    Modeled feedback includes modulateable instrument-to-amp distance and orientation.
    Filters:
    Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24 dB (4-pole) configurations. Low Pass, High Pass, and Band Reject modes.
    Multi Filter mode (Filter A only):
    Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects.
    Modulation:
    5 envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS mixers.
    MS-20EX ProgramOscillators:
    Ultra-low-aliasing oscillators
    VCO1, VCO2, Ring Mod, Pink and White Noise Generator
    Audio Input:
    Run real-time audio through the synthesis engine and ESP (External Signal Processor)
    Filters:
    12 dB/octave High Pass and Low Pass self-resonant filters
    ESP section:
    24 dB/octave Low-Cut and High-Cut filters, available per voiceESP (External Signal Processor) Use incoming audio as a trigger and/or CV source
    Modulation:
    Original DAR and HADSR EGs 1 & 2, original MG (with MIDI sync), Sample-and-Hold, MVCA
    KRONOS modulation: 4 x additional multi-stage Envelopes, 4 x additional per-voice LFOs, and 4 x AMS Mixers
    Patch Panel
    Patchable audio and modulation, at audio rates
    Patch Points:
    Keyboard:
    Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In
    VCO:
    VCO1 + VCO2 External Frequency Control In, VCO1 Out, VCO2 Out
    VCF:
    External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter CutoffFrequency Control In, HPF Out, LPF In, LPF Out
    VCO+VCF:
    Total External Modulation In
    VCA:
    External Initial Gain Control In, VCA In
    EG:
    EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1Trigger In, EG2 Envelope Signal Reverse Out
    MG:
    Triangle Out, Rectangle Out
    Noise Generator:
    Pink Noise Out, White Noise Out
    Sample and Hold:
    Clock Trigger In, Sample Signal In, S/H Out
    Modulation VCA:
    Control Voltage In, Signal In, Signal OutManual Controller
    Control Wheel Out, Momentary Switch
    ESP:
    Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out
    Others:
    EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out
     
    PolysixEX ProgramOscillators:
    VCO:
    Saw, Pulse, PWM
    Sub Oscillator:
    Off, one octave below, 2 octaves below
    Filter:
    24 dB (4-Pole) Low-Pass self-resonant filter
    Effects:
    Integrated Polysix Chorus, Phase, and Ensemble
    Arpeggiator:
    Integrated MIDI-synced arpeggiator with adjustable Range, Mode, and Latch
    Polysix Modulation:
    Original ADSR EG and MG (with MIDI sync)
    KRONOS Modulation:
    2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers
    MOD-7 ProgramWaveshaping VPM Synthesizer:
    Combines Variable Phase Modulation (VPM), waveshaping ring modulation, PCM sample playback, and subtractive synthesis, able to convert-load SYX files
    Oscillators:
    6 x VPM/Waveshaper/Ring Modulation Oscillators
    Phase and modulatable pitch per oscillator
    101 Waveshaper tables plus modulatable Drive and Offset
    Use as oscillators, or as Waveshapers or Ring Modulators for other signals
    PCM Oscillator:
    KORG's ultra-low-aliasing technology, as introduced in the HD-1
    4 x velocity zones per oscillator
    Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory
    PCM can be used as an FM modulator and/or layered with the VPM Oscillators
    Noise generator with saturation and dedicated low pass filter
    Audio Input:
    Run real-time audio through the VPM Oscillators and filters
    Filters:
    Dual multi-mode filters per voice (Low Pass, High Pass, Band Pass, and Band Reject modes)
    Two types of filter routing: Parallel and 24-dB
    Multi Filter mode (Filter A only):
    Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety ofunique filter types and effects
    Patch Panel:
    Supports both algorithm (78 types) selection and free patching
    Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion
    Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion
    Modulation:
    10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standardAMS Mixers plus 4 simple AMS Mixers
    SGX-2 ProgramPremium Piano:
    Virtual Memory Technology (VMT) plays large samples directly from the internal SSD
    Chromatically sampled at up to 12 velocity levels, no looping
    Damper resonance and mechanical noise
    Modeled String Resonance
    Una Corda sample support
    PCM:
    EXs6 - SGX-1 German D Piano, EXs7 - SGX-1 Japanese C Piano, and optional EXs12: SGX-1 Austrian DPiano (8 velocity levels, no Una Corda samples); EXs17 - Berlin D Piano (12 velocity levels, includesUna Corda samples)
    Piano Type:
    64 or more
    Oscillator Control:
    Damper Resonance, Damper Noise, Mechanical Noise, Note Release, String Resonance
    General
    Disk ModeLoad, save, utility, audio CD burning, audio CD playback, data filer function (save/load MIDI SystemExclusive data), CD-R/RW (UDF format read/write), ISO9660 Level 1
    ControllersVector joystick, joystick, ribbon controller, switches 1 & 2
    Control Surface: Control Assign Switches: Assigns the Control Surface to Timber/Track, Audio,External, Realtime Knobs/KARMA, Tone Adjust/EQMixer Knobs Switch: Assigns the Mixer Knobs to either Channel Strip orIndividual Pan, Reset Control Switch, Solo Switch, Knobs 1-8, Switches 1-8(Upper Row), Switches 1-8 (Lower Row), Sliders 1-8, Master SliderKARMA Control: On/Off, Latch, Module Control
    KARMA Controller Section: Switches = ON/OFF, LATCH, MODULE CONTROL
    DRUM TRACK Controller Section: Switches = On/Off
    DisplayTouchView graphical user interface, 8" TFT, SVGA (800 x 600 dots), adjustable brightness
    Frequency Response20 Hz to 22 kHz, ±1.0 dB, 10 kOhms load
    Total Harmonic Distortion (THD) + N20 Hz to 22 kHz, 0.01%, 10 kOhms (typical)
    Signal to Noise Ratio95 dB (typical)
    Dynamic Range95 dB (typical)
    Crosstalk95 dB, at 1 kHz (typical)


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